'Kakilambe' (the name of a traditional dance in Mali and Guinea, but the term is also used to refer to various African percussion rhythms) is both Takana Zion's most African and eclectic (rock, pop, dance, electro...) release to date. Opener 'Abada' starts out as a traditional acoustic song with only a West-African balafon as accompaniment and then suddenly changes into a dancehall rhythm with piano and percussion. Tracks like 'Gongoli' and the jazzy 'Yirindinn Houmba' have a similar vibe. With 'Mama Africa', a song in which he combines a dubstep rhythm with African instrumentation, Takana Zion (aka 'African Sizzla') sees his dream of recording a song with Sizzla come to fulfillment. 'Ce Matin' is the only track entirely sung in French with a Takana Zion sounding remarkably like Pierpoljak. Unfortunately there are also a few stinkers on 'Kakilambe' and 'Stronger', a dance tune with a prefabricated MTV-vibe definitely fits that category. 'N'Krili' is along the same lines, but for some reason, this track works. 'Kakilambe' was recorded in barely two weeks in Takana's home country Guinea-Conakry and clearly proves Takana Zion is more than just a reggae artist.